IFRS 9 simplified the current measurement model for financial assets and established three main categories: (i) amortized cost; (ii) fair value through profit or loss; and (iii) fair value through other comprehensive income (“OCI”), depending on the business model and the characteristics of the contractual cash flows. Regarding recognition and measurement of financial liabilities there were not significant changes from current criteria except for the recognition of changes in own credit risk in OCI for those liabilities designated at fair value through profit or loss.
The new lot is operated digitally and records license plates as cars enter the garage. That information feeds into the database, so the museum can track exactly who is visiting, and for how long, as well as calculating the right payment. Holmes said the license plate recognition also will allow the museum to quickly calculate parking charges for visitors who lose their parking tickets.
When King of the Monsters arrives at its moments of pure spectacle, however, it’s as though the visuals are directly countering the deficiencies and questionable thematic turns of Dougherty and Zach Shields’s screenplay. When Monarch scientists aren’t debating Godzilla’s benevolence, we see the monster simply asserting itself against the titans that Emma frees, particularly King Ghidorah, a three-headed alien dragon freed from a glacier in Antarctica. The film takes pains to suggest that Godzilla is a force of good, only to then casually dispel that notion as the monster moves through human terrain, bringing down skyscrapers with spectacular ease and blasting apart entire blocks with his atomic fire breath.
People always tell me, "You’re short," and I always felt like I was taller. When I played ball, I’d stay after school with the top players to get better. Even in music, I always studied the greatest of the greats. I never wanted to be the best in my circle, because that doesn’t help you grow. In sports, I’d play with athletes that were taller, stronger and faster. When I got on the court, I felt like I could play anybody. I would try to match up with centers sometimes and be like, "Whatchu doing? I know how to box out." If you know the game, height doesn’t matter.
The clashes between Godzilla and Ghidorah are hellish conflagrations of lightning and fire. Elsewhere, such details as the gales of superheated wind and volcanic ash emitted by the flying monster Rodan as it soars over cities and swats fighter jets speak to the futility of human intervention against such gigantic creatures. The action sequences are never incomprehensible, but the sight of beasts fighting each other as cities collapse around them is certainly overwhelming. There’s a nightmarish beauty to these battles that epitomizes a nihilism buried under the more sentimental heroics with which Godzilla has been saddled.
The fair value of plan assets is primarily comprised of fixed income investments (NTN’s, LFT’s, LTN’s, repurchase agreements, CDBs, debentures, letters of guarantee and FIDC shares) and equity investments (highly liquid, well regarded, large company shares and investments in market indices).
(xxi) – approving the creation and the shutting down of the Company’s subsidiaries, in the country or abroad;
Shepard’s mercenary pace at times serves the film well. When Charlotte and Lizzie awaken the morning after, the filmmaker sustains, for about 15 minutes, an expert tone of slow-dawning dread. Both women are hungover, but Lizzie is dramatically ill, and Shepard plunges us into her panic and helplessness, capping the scene with the perverse spectacle of Lizzie vomiting yellow maggots against a bus’s windows, clutching her head in pain. Several tensions merge at this point in The Perfection: the fear of being sick in another country, of having to grapple with a new lover’s biological eccentricities, and a basic tension wrought by the violation of narrative expectation, as we’re meant to wonder how we moved from a film in the vein of Black Swan to something in the key of a zombie-outbreak movie. Shepard merges these tonal disparities with a lurid reveal, at which point his film goes completely bonkers.
Paragraph 2 – The Board of Directors shall approve resolutions by majority vote with the attendance of the majority of its acting members, and Chairman shall be liable for the casting vote, in addition to his common vote, in the events of tie vote.
Quentin Tarantino’s Once Upon a Time…in Hollywood is presented, right down to the ellipses in its title, as a diptych. But instead of just being a way to structure a piece of entertainment for commercial reasons—like the Grindhouse double feature, the two-part Kill Bill, and the “roadshow” version of The Hateful Eight, which was broken up by an intermission—this demarcation separates two distinct periods: the beginning of the end (February 1969) and the end itself (the summer of ‘69). And it’s a juxtaposition that shows old Hollywood in a time of transition, from dog days to death throes.
Interest on equity and dividends not claimed by shareholders expire within three years from the initial payment date. Should dividends and interest on equity expire, these amounts are recorded in retained earnings for later distribution.
Article 16 – In the event of vacant position of members of the Board of Directors, remaining a number lower than the minimum number of members provided for in Article 14 above, a General Shareholders’ Meeting shall be called to elect the deputies.
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