TikTok, the Chinese Video App Where Gen Z Rules | Musical Box

After initial recognition, goodwill is measured at cost, less any accumulated impairment losses. For the purpose of impairment testing, goodwill acquired in a business combination is, from the acquisition date, allocated to the CGUs that are expected to benefit from the combination, irrespective of whether other assets or liabilities of the acquiree are assigned to those units.

Terra Networks: The Company’s direct and wholly-owned subsidiary as at December 1, 2018 (Note 1 c.1), with headquarters in Brazil, has the purpose of providing digital services (own value-added services ("VAS") and third parties and carrier billing, as well as mobile channels for sales and relationship) and advertising.

The high growth in data markets in general and broadband in particular may result in a limited supply of equipment essential for the provision of such services, such as data transmission equipment and modems. The restrictions on the number of manufacturers imposed by the Brazilian government for certain inputs, mainly data transmission equipment and modems, and the geographical locations of non-Brazilian manufacturers of these inputs, pose certain risks, including:

Derek Jarman’s The Garden is an elemental film. Throughout, the director returns to images of the four classical elements—fire, water, earth, and air—as if the film were trying to give birth to a new world, as if it were a world itself. And, beyond the biblical allusion, perhaps that’s what the title of his hallucinatory film refers to. Gardens are microcosms, life-giving gatherings of water, earth, and air—and fire as well, if you so happen, like many of the film’s characters, to be holding a signal flare while standing in your garden.

The most important of these proceedings are: (i) statements of dissatisfaction resulting from failure to approve requests for compensation submitted by the Company; (ii) INSS (a) on compensation payment for salary losses arising from the "Plano Verão" and the "Plano Bresser"; (b) SAT, social security amounts owed to third parties (INCRA and SEBRAE); (c) supply of meals to employees, withholding of 11% (assignment of workforce); and (d) Stock Options – requirement of social security contributions on amounts paid to employees under the stock option plan; (iii) withholding income tax and CIDE on the funds remitted abroad related to technical services and to administrative support and similar services, etc., and royalties; (iv) income and social contribution taxes: (a) disallowance of costs and sundry expenses not evidenced; and (b) disallowance of expenses on goodwill of the corporate restructuring of Terra Networks and Vivo S.A., and for the takeovers of Navytree, TDBH, VivoPart. and GVTPart.; (v) deduction of COFINS on swap operation losses; (vi) PIS and COFINS: (a) accrual basis versus cash basis; (b) levied on value-added services; and (c) monthly subscription services; (vii) income tax-related incentive investments FINOR, FINAN or FUNRES; (viii) ex-tariff, cancellation of the benefits under CAMEX Resolution No. 6, increase in the import duty from 4% to 28%; (ix) IPI levied on shipment of fixed access units from the Company’s establishment; (x) Financial transaction tax (IOF) – required on loan transactions, intercompany loans and credit transactions; and (xi) operating expenses allegedly non-deductible and related to estimated losses on the recoverable value of accounts receivable.

From the analysis performed on the transactions of the 2017 financial year, the Company recognized on January 1, 2018, a decrease of R$364 million in retained earnings, before deferred taxes, as a result of the increase in the bad debt provision balance on receivables from customers.

In terms of Frank’s collaboration with Fox on Leaving Home, Coming Home, the photographer’s conflict is astutely summed up by an early moment in the film. Frank offers his thoughts on a subject and Fox runs out of film and asks the man to repeat what he just said, directing him like an actor. Frank fumes, saying that this is “bullshit,” and, while he doesn’t directly articulate this anxiety, one gets the feeling that Frank resists the idea of making a film in which he’s seen as an aging lion in winter. He understandably finds the idea contrived, and Fox honors Frank by including the blown take, which is probably more revealing of each collaborator’s methods and mindsets than whatever Frank was saying to begin with.

5. The 2018-2019 Union County deer management program guidelines dated 8/21/18 note that in the 2017-2018 hunt 61 deer were removed. Union County’s estimate for the existing deer population in the Watchung Reservation is 68 deer per square mile and their stated goal is to reduce the population to less than 20 deer per square mile.

And yet, despite being guided by a dream logic that’s nightmarish more often than not, the film isn’t oppressive. Jarman appears in a few roles, including that of a dreamer, asleep on a bed in a shallow sea as white-linen clad figures circle around him holding flares. The Garden doesn’t foreclose the dream of a more serene world. Jarman’s manipulation of the low-grade film stock draws out flickering oranges and reds from shots of the sky over a gray beach, and Gough often speaks over close-ups on flames. The film’s images burn, yet Jarman understands that fire can symbolize both destruction and creation. After all, one burns the vestiges of last year’s crops before replanting, and The Garden isn’t without hope that we can regrow a paradise. A scene featuring the film’s central, unnamed gay couple—one is tempted to call them “eternal”—wearing pink tuxedos and holding an infant maintains the possibility of a different reality, one in which anti-gay hate has finally been snuffed out.

(xii) – resolving, by delegation of the General Shareholders’ Meeting on the following aspects referring to the issuance of debentures by the Company: (i) issuance opportunity, (ii) period and maturity, amortization or redemption conditions, (iii) period and payment conditions for interest rates, profit sharing and reimbursement premium, if any, (iv) mode of subscription or placement and, (v) type of debentures;

On April 28, 2016, at the General Shareholders Meeting, the shareholders approved the distribution of dividends to the common and preferred shares in the total amount of R$1,287 million based on the closing balance sheet on December 31, 2015, which the Company paid on December 13, 2016.

“Disaster!,” May 1, 2, 8, 9, 15 and 16 – By Seth Rudetsky and Jack Plotnick with additional material by Dre Geraci; directed by Leslie Beauchamp